Sunday, December 10, 2006

2006 West Coast Guitar Killers Showcase

Highway 99 Blues Club - November 24th

It looked to me like Tim Sherman's annual blues guitar showcase that occured at the Highway 99 last month was a big hit again this year. The joint was full of Blues guitar fans and the dance floor was pretty much full all night.

The featured guitarists this year were Tim "Stoop Down" Sherman, Tom "T-Boy" Boyle, David Brewer, and Chris Stevens. The backup band that Tim hired for this gig included some of the finest blues cats in Seattle, including Ron "Deacon" Weinstein on the Hammond B-3, Kirk "Spiderman" Tuttle on drums, and Mark "Tall Cool One" Dalton on electric bass. These guys did a fine job of effortlessly backing up all of the guitarists, all of whom have pretty different styles - Tim with his swinging BB King-style chops and tone, Tom with his stinging Stratocaster riffs, David roaring in a more blues/rock vein, and Chris mixing it up with jazzy swing and reverb-soaked surf tunes.

One unusual thing happened to me during David Brewer's set. During the first portion of this set, he played a couple of tunes solo on his electric guitar while sitting down, something I've never seen him do before. I was chatting with a friend near a full table at this time and we were asked to keep it down, because the the people at the table couldn't hear David's music. My friend an I agreed that that had to be a first at any David Brewer gig!

Tom brought up singer Becki Sue to do a couple tunes during his set, and the crowd dug her, as usual. You go, girl!


Mark Dalton and Tim Sherman


Ron Weinstein


Kirk Tuttle and Mark Dalton

Tom Boyle

Tom Boyle and Becki Sue

David Brewer


Chris Stevens

It was really nice to see a Seattle club packed with so many Blues fans for a change. And hey, Tim - thanks for letting me sit in on "Alimony Blues" during your set!

Thursday, December 07, 2006

Double bill at the Highway 99 Blues club.

Chris Stevens' Surf Monkeys and Harmonica Playboy & the Midnight Movers

November 17th, 2006

We played a double bill with Chris Stevens' Surf Monkeys at Seattle's Highway 99 Blues Club on Friday, November 17th. You don't see local bands playing at the Highway 99 on weekends very often, mainly because its difficult to draw much of a crowd, especially compared to out of town acts. So, we figured we'd try a double bill with two local acts, just like we used to do at the old Owl Cafe back in the day.

Friday night can be the slower night of the weekend at this club, and this Friday was somewhat disappointing - we only had 77 fans pay a cover, while the club has been drawing about 100 paying fans on Friday lately. Things were looking pretty good until about 11:30 PM, when the crowd started heading home.

Anyway, the music fans that did show up were treated to some great music, and a lot of them voted with their feet, keeping the dance floor pretty much full for most of the night. We really enjoyed playing with Chris Stevens' band - they are a class act, and featured Les Klinkingbeard and Brian Kent, two of Seattle's finest sax players. Please go out and see this band - they are well worth the effort!

Our thanks go out to all of the fans that showed up for this show, and to the Highway 99 Blues Club for hosting it. Here's a photo of the musicians that played the gig:


Back row, left to right: Kirk Tuttle, Mark Dalton, Mike Lynch, and Alan Isaacson

Front row, left to right: Brian Kent, Patty Mey, Les Klinkingbeard, Steve Yonck, Chris Stevens, and Tim Sherman

Note: The photo in this article was created by Tom Hunnewell.

Sunday, December 03, 2006

The Fourth Annual Superharp Showcase

The New Orleans Crole Restaurant, Seattle - October 6th & 7th

Sheesh, I can't believe its taken me so long to publish a review of this show that occured almost two months ago, for cripes sakes! My apologies to all of the performers and fans for taking my sweet time with this...

I took a little different approach to this year's show, hiring a couple of young gun Seattle harp players (Sheldon Ziro and Bubba "The Unreal" McCoy), plus two players from Portland (Johnny Ward and LynnAnn Hyde). All players were backed up by the mighty Midnight Movers, including Kirk "KT" Tuttle on drums, Patty "Mighty Mite" Mey on electric bass, and Tim "Stoop Down" Sherman and Steve The Kid" Yonck on guitars. The Midnight Movers did their usual sterling job - they had never even met some of the harp players until showtime, but you never would have guessed it from the sympathetic backup they consistantly provided for all of the artists.

Lesson learned - If I do any more of these shows, I believe that I will limit them to one night only. This year we saw the same pattern as the last three years - about a three quarters-full house on Friday night, and a very good full house on Saturday night (nothing like the mob scene at last year's show, though!). It's probably unrealistic to expect Seattle Blues fans to turn out in force two nights in a row these days, and there are a lot of musicians to pay at these shows.

I played the first set both nights, and received the usual fan adoration that happens at all of my gigs (oh yeah, baby!). Sheldon Ziro played a mess of amplified and acoustic harp on the second set Friday night. Is it just me, or is Sheldon one of the fastest improving harp player/vocalists on the Seattle scene? Dave Prez, Seattle's Little Walter specialist (and one of my favorite players), rocked the third set, and Portland's Johnnie Ward wrapped up the show with some memorable no-nonsense diatonic and chromatic harp playing that had the house rockin', brothers and sisters!

I must admit, though, that Saturday night was the killer for this show. After my first set, Bubba "The Unreal" McCoy (left - photo by Stephanie McCoy) played and sang a righteous set of down home blues. Bubba plays with Seattle's Broomdust Blues Band, and he's been threatening to visit us at the Blue Monday gig at the Highway 99 Blues Club for a while now (hey Bubba, where you been, man?).

Next up was Brian Lee, frontman for Seattle's Blues Orbiters. Brian is a super talented guy that sings, and plays harp, lead guitar and slide guitar. If you haven't seen his band, I don't know what you're waiting for! Brian blew up a storm on the harp, plus played some finger lickin' good slide guitar with the band too.

Finally, Portalnd's LynnAnn Hyde played the final set on Saturday, with her husband, Stu Kinzel, sitting in on guitar. We heard a ton of positive comments about LynnAnn's great harp playing, super fat tone, and terrific vocals. And hubby Stu was "floating like a butterfly and stinging like a bee" on the guitar too - thanks Stu! Check out these guys in the Kinzel & Hyde Band the next time you're down in the Rose City.

Here's a few more photos from the show:
Brian Lee (photo by Phil Chesnut)

LynnAnn Hyde and Stu Kinzel (photo by Phil Chesnut)

Kirk Tuttle, LynnAnn Hyde, Bubba McCoy, and Brian Lee (Photo by Tom Hunnewell)

Brian Lee, Mike Lynch, Bubba McCoy, and Stephanie McCoy (photo by Phil Chesnut)

As usual, our thanks go out to the owner of the New Orleans Creole Restaurant, Gaye Anderson, and her staff for helping to make this a great event. See you next year!

Note: The poster that appears in this article was created by Phil Chesnut.

Wednesday, November 29, 2006

Curtis Salgado Update

From the Curtis Salgado web page.

CURTIS SALGADO MAKING GREAT STRIDES FOLLOWING LIVER TRANSPLANT

The road to recovery will soon lead to home for musician Curtis Salgado. He should return to Portland before the end of the year.

Salgado, who'd been diagnosed with liver cancer in March of 2006, has spent the past two months at The Nebraska Medical Center in Omaha where he received a life-saving liver transplant on September 30th.

Overall, his recovery has gone well. He did undergo a second surgery three weeks after his transplant due to abdominal bleeding. He was also hospitalized for a suspected rejection episode, but both issues have been resolved.

Salgado's transplant team says his liver function is completely normal. They expect him to make a full recovery. Right now, specialists are closely monitoring his medications and overall condition, as is standard practice.

Once released, Salgado will continue his follow-up care in Oregon. He may return to Nebraska for annual check-ups.

Fundraising continues to be a primary concern. Two substantial loans were secured at the eleventh hour allowing for the transplant. In addition to the upcoming loan payments, future expenses include medications, anti-rejection drugs, follow up medical care, travel and living expenses. All merchandise available at www.curtissalgado.com will benefit the Curtis Salgado Fund. Donations to the "Curtis Salgado Fund" continue to be accepted and can be made at any US Bank or can be mailed to US Bankcorp, 2550 NW 188 Avenue, Hillsboro, OR 97124

Thursday, November 23, 2006

Can white people play the Blues?!

Hah, made you look!!

I just want to wish our readers a safe and mellow Thanksgiving holiday. The weather is miserable here in the Jet City, so I'm going to catch up on some movie watching with my boys over the next few days, and we might go bowling too.

Have a good one!

Mike Lynch

Monday, November 06, 2006

Musings from Mr. Solid

The Musical Motherland Tour - Pt. 1

By John Lee

I recently traveled with my better half, Nancy Rapp, to Memphis, TN, the Mississippi Delta, and to Helena, AR. Our goals: attend The Arkansas Blues and Heritage Festival and personally taste all the best BBQ joints. What follows is my daily log of our trip.

Day 1 - September 28th, 2006

We took the airport shuttle at 6:30 am to the SeaTac airport and then flew to Minneapolis, MN. The connecting flight to Memphis was delayed due to plugged up toilets. We arrived in Memphis, TN, grabbed our rental car and headed to our digs in West Memphis, AR, just six miles across the Mississippi River from Memphis. In the '40s and '50s West Memphis was a hot bed of the blues. B.B. King, Sonny Boy Williamson and others played the club scene, and Howlin’ Wolf lived there. It was late and we were tired, so we choose to have dinner close to the motel. We had some Mexican right across the highway at a place called Margaritas. I know, Mexican in the land of great BBQ? Hey, it was very good Mexican and tomorrow was another day!

Day 2 - September 29th 2006

We enjoyed a nice breakfast buffet in the Hampton Inn lobby that included grits and biscuits. Then we left early to visit Soulville USA in Memphis, home of the Stax Museum of American Soul Music, and the Stax Music Academy. Stax Records was home to (in their prime) Otis Redding, Sam and Dave, Booker T. and the MG’s, Eddie Floyd, and Rufus Thomas to name a few. Oh yeah, and don't forget the super star Isaac Hayes! This place is a shrine. With 2,000 pieces of memorabilia, it is a moving and heart-felt experience. The museum also has a section that honors the Hi and Goldwax Memphis soul record labels. I could have visited there all day long! Across from the museum is the rundown former home of Memphis Slim. The museum is in the process of restoring the late, great piano man’s house.


Soulville USA

Memphis Slim's House

Next stop, Sun Studios. On the way, we had lunch at Interstate BBQ. I had the chicken; Nancy had a pulled pork sandwich. They piled some slaw on the pork and it was good to go. The BBQ beans were mighty good. This was very good, serious food.


With our hunger in check we arrived at another American music shrine, the legendary Sun Studio. The place is a gas. A great tour ended right in the middle of the recording studio, complete with a piano used by Jerry Lee Lewis. Before Elvis, Johnny Cash, Carl Perkins and Jerry Lee, Sun founder Sam Phillips recorded Howlin’ Wolf, B.B. King, Rufus Thomas, Ike Turner, Bobby “Blue” Bland and Little Milton to name some. Stax and Sun are two of the most important record labels in the history of American music. These two places are must sees if you visit Memphis.


Sun Studio


Sun Studio Office



Sun Studio Store


Then we checked out Beale Street, W.C. Handy Park, the Rufus Thomas monument, B.B. King's club, and a voodoo store called Tater Red’s. There’s a funky CD store called Memphis Music on Beale that has a huge selection of blues music. There are a dozen or more blues and roots music clubs along Beale and they all seem to have good food that includes to my surprise, BBQ! That’s a joke! This great city is full of good BBQ.

Day 3 - September 30th 2006

We drove in to Tennessee once more and checked out the Memphis Saturday Market, similar to the ones we have here in Seattle, but smaller! Then we headed back to Beale Street and to the Rock and Soul Museum, another great museum celebrating the great music of America. This is another must see Memphis spot. The Gibson guitar factory is right next door.

Then we had lunch at The King's Palace Café on Beale. This is the building where the famous photograph of Robert Johnson in a suit and holding a guitar was taken at the Robert Hooks Photography studio in 1935. After a short walk to The Center for Southern Folklore store, we asked where the main part of the center was located. It was closed at the time, but a gentleman said he had to clean some things there and that we were welcome to tag along and look around. We checked out photos of southern musicians like Rufus Thomas, Gus Cannon and Isaac Hayes. We looked at numerous pieces of folk and delta art and our good man ran a DVD for us produced at the Center, of B.B. King and Rufus Thomas reminiscing about the heyday of Beale Street and them jamming with a handful of old timers including “Gatemouth” Moore.



Rufus Thomas Blvd


Rufus Thomas Monument


After sightseeing the core of downtown, that evening, we went back to The Center for Southern Folklore store for a show with a singer from New Orleans named John Bouteé. Mr. Bouteé is mostly a jazz singer, but the cat can sing anything. Nothing but a good time so far!


John Boutee (left)


Day 4 - October 1, 2006

We were late to rise and after breakfast we lounged in our crib reading The Memphis Flyer (a lot like our own Seattle Weekly) and the Memphis daily newspaper, The Commercial Appeal. Then we headed back across the Mississippi river into Memphis to visit The National Civil Rights Museum, which is housed in The Lorraine Motel where Martin Luther King Jr. was gunned down. This museum is a moving testament of the African-American people and their brave fight, from the days of the slave trade to the civil and human rights struggles of the '50s and '60s.


Lorraine Motel

In reality, the fight is still being fought today on some levels. Anger swelled up inside me many times as I worked my way through the movement’s history and what I saw and read made me wonder what kind of nation I was born and grew up in. “Land of the free” seems to be somewhat of a misnomer. Slavery, segregation and prejudice toward people of color are a large stain on the soul of America. The Civil Rights Museum is a great history lesson that everyone should experience. Thoughtful people will forever be changed by a visit to this incredible space!

A short ride to a section of Memphis called “Midtown” brought us to a neighborhood joint called Huey’s. We had refreshment and dug some very fine music from a group called, DiAnne Price and Her Boyfriends. DiAnne Price is one hell of a blues piano player and singer. I first heard her on the radio show “Beale Street Caravan.” We departed Huey’s musically satisfied, then headed to Beale Street and The Blues City Café. Nancy had ribs. I had tamales. We shared. It was mighty good.

Day 5 - October 2, 2006

This was the first day of our road trip into the Mississippi Delta. We made a stop in Como, MS, a small town that has changed very little in 100 years. There is a newer library. That, I think is a good thing. Next stop: Greenwood. We passed Avalon, home to the late Mississippi John Hurt and arrive in Greenwood and park on Howard Street. We are looking for The Greenwood Blues Heritage Museum owned by Steve LaVere, the man who was the force behind the Robert Johnson boxed set. He also wrote the liner notes. The place was closed. Damn!


We were told to check out the Alluvian Hotel by a mighty fine lady at a local bank. Everyone we ran into down South were so nice and friendly. I know the South has its share of rednecks and rejects, but we never ran into any of them. We checked out the hotel and the man at the desk asked where were from, we told him Seattle and he asks if we would like to look around. Sure -so he gives us a guided tour of the hotel, cooking school, and the health spa across the street. He also offered us peach sweet tea for our tour. The sweet tea was one of the tastiest drinks I have ever had. I had been drinking sweet tea our whole trip, but this tea was incredible! The Alluvian Hotel is beautiful and rebuilt by Fred Carl, founder of the Viking Range Corp. which is located in Greenwood and employs 1,300 people. The Alluvian - a cosmopolitan boutique hotel deep in the Delta.

We were very hungry, and we found a funky soul food joint two blocks from the hotel called Mattie’s with fried chicken, candied yams, and corn bread to die for. With our hunger in check, we went in search of Robert Johnson. The King of Delta Blues has three graves in the delta, but I’ve read that long time Johnson researcher, Steve LaVere, is very sure the one we found just north of Greenwood in the Little Zion Mount Baptist Church cemetery is the correct one. We were visiting the grave and taking pictures when suddenly swirling winds came up and dozens of bugs descended upon us. Quickly saying our goodbyes to Mr. Johnson, we hit the highway to Tutwiler in search of the great blues harp master Sonny Boy Williamson’s (Rice Miller) grave.


Matties's


Robert Johnson's Grave

On the way to Tutwiler, we drove thru hundreds of acres of cotton fields in 90 degree heat and I’m reminded of the reasons the blues was born. Tutwiler looks to be an area that lives in abject poverty. In the richest country in the world this seems to be totally out of context! As we got out of our vehicle at least ten children panhandled for change. We got directions to Sonny Boy’s grave site from the police station and still had a little trouble finding the spot, a small wooded area surrounded by cotton fields in the middle of nowhere and no signs. While we were there someone was tilling the nearby fields. Sonny Boy is buried a mile or two out of town with a large tombstone and dates of birth and death that would have made him only 58 years old.

Mississippi Cotton Field

Sonny Boy Williams' (Rice Miller) Grave

After paying our respects to the man who wrote "Help Me," "Too Young To Die" and many more, we hopped on Highway 49 heading towards Clarksdale, just to get ourselves acclimated to the area. We spent about an hour walking around the area of the Delta Blues Museum and Ground Zero, actor Morgan Freeman’s large juke joint. We got a great idea of what we would do when we stayed a night and a full day in the early hometown of Muddy Waters, John Lee Hooker and Ike Turner. We headed up Highway 61 toward Memphis and stopped at the Horseshoe Casino in Tunica. The casino was said to have an extensive blues museum in the basement. We were highly disappointed to find out the museum had been suspended. Damn!

We were very hungry and hadn’t eaten since Mattie’s in Greenwood, so we had dinner at the big buffet at The Horseshoe which includes a section called Delta Cookin’ - lots of great food for a small price. Filled up and tired, we headed north to our digs in West Memphis and got ready for our last day in Memphis.

Day 6 - October 3, 2006

We headed back to Beale Street and walked up the street and checked out the Walk of Fame. Brass notes with names on them are set into the sidewalks to honor those important to Memphis music and business scenes. Otis Redding, Donald “ Duck “ Dunn, Steve Cropper, Rufus Thomas, Johnny Cash, Elvis, Rosco Gordon, Carl Perkins, B.B. King, Bobby Bland and Jerry Lee Lewis are some of the names. Nancy went to Peabody Place to check out a photo exhibit and I checked out the W.C. Handy house on Beale Street. Handy lived in this house from 1905 until 1918 at a different location. I did not find out when the house was moved. The place is filled with a lot of great memorabilia and recordings of Mr. Handy talking about his music. It is well worth the $3.00 admission.

W.C. Handy's House

Nancy and I hooked back up and we went to the cotton museum located about four blocks from Beale Street in The Cotton Exchange building. We thought that since we had been driving thru cotton fields all day, the day before, we needed to know more about the cotton industry. It’s a great museum that lays out the history of cotton in a most interesting and informative way. There is also a blues exhibit that shows the link between cotton and the blues. It put into perspective what I had been thinking about the blues and cotton driving thru the Delta the day before.

We went to the downtown Huey’s for refreshments, watched playoff baseball and waited for the great BBQ joint, The Rendezvous, to open for dinner. We arrived at 4:40 pm shortly after they opened, and the place was already jumpin’. This is a world famous restaurant that has catered to many presidents, Elvis and The Rolling Stones to name a few. I had the chicken and Nancy had the ribs. As often is the case, we shared. The Rendezvous uses the dry-rub style. No sauce ever touches the meat. They have two great sauces to add on your own. This BBQ ranks with some of the finest food I’ve ever eaten. After dinner, I thought about another course, but better judgment took over and I just enjoyed.

The outstanding food was a great way to end our stay in Memphis - The Home of the Blues and the Birth Place of Rock and Roll. Part of my heart will always be in Memphis and our experience was as much fun you can have with your clothes on.

Next time I’ll lay on you what we did in Clarksdale, MS and Helena, AR. Hint: lots of music for one thing! Until then, Peace!

November Blues Birthdays

Bobby Rush - November 10, 1940
John Hammond Jr. - November 13, 1942
Rod Piazza - November 18, 1947
Sippie Wallace - November 1, 1898 (died 1986)
Bukka White - November 12, 1909 (died 1977)
Eddie Boyd - November 25, 1914 (died 1994)
Robert Nighthawk - November 30, 1909 (died 1967)
Brownie McGhee - November 30, 1915 (died 1996)
Carey Bell - November 14, 1936
Dr. John - November21,1940

Electric bassist John "Mr. Solid" Lee was born in Alaska and has been active in the Seattle blues scene for about 30 years. He currently plays with the Crossroads Band. Photo by Mike Coyote.

Note: All of the photographs in this article were created by Nancy Rapp.

Monday, October 30, 2006

The return of Lonesome Jerome.

I was at the Highway 99 Blues Club last Friday checking out the West Coast R & B Summit show when I ran into Mark "Lonesome Jerome" Dufresne (left). He confirmed that he's no longer working as the lead vocalist for Roomful Of Blues, and is now living back in the Jet City with his wife Laura.

Welcome back Mark! Come on down to the Blue Monday jam one of these days - we'd love to see and hear you singing and blowing harp on the scene again.

Note: Mark's photo was created by Henry Benson. From the Alligator Records webpage.

Sunday, October 22, 2006

Memo to my fellow Seattle Blues Nazis.

While I was perusing the October 2006 edition of the Washington Blues Society's Bluesletter today, I read Roy Brown's monthly "Sound Off" column. In this column, Roy reprints a letter from Seattle singer Mary McPage, who fronts the Mary McPage Band.

In her letter, Ms. McPage, discribes the 1998 Seattle Blues Nazis as a "...negative, hateful, splinter group..." of the WBS. Then she describes the current Blues Nazis organization as "Blues Police" who are arrogant, "ignorant idiots." Apparently, she picked up the Blues Police moniker from a recent Blues-To-Don'ts blog article.

Oh boy - OK, first of all, I want to reassure all of you that we have not changed the name of the organization from the Blues Nazis to the Blues Police. As we have all endlessly discussed, Blues Nazis is the perfect name, since it seems to irritate the most number of people possible. Also, the logo artwork for my sometime band, Kid Porno & the Blues Nazis, is bought and paid for, so it's too late to change the name of the band.

Now here's the thing that really concerns me - remember our last meeting (sheesh, a couple of years ago now) when we all decided to keep a low profile? We all agreed that there wasn't any money in trying to advance the cause with people that still think that "Messin' With The Kid" was written by Jake and Elwood Blues, or that "Somebody Loan Me A Dime" was written by Boz Skaggs (or the Allman Brothers). So, what the hell - which one of you guys pushed Ms. McPage's button? Frankly, I'm confused - there hasn't been much in the way of dissenting opinion in the Bluesletter for years, and I doubt that Mary's band gets heckled by any of our minions, so why the whining on her part?

You know what? I think she's mad at Brother Chesnut. Now, I know (I know!) that sometimes our Art Director, Phil Chesnut, can't help from speaking his mind. Heck, Ms. McPage says in her letter that "...Just because one can write about the blues, take a picture of blues musicians or perhaps draw nice litle pictures, does not make a blues expert..." Goodness! Take one for the team, Phil!

Anyway, let's hope this latest incident will blow over and we can continue our Blues work behind the scenes. Keep up the good work, fellow Blues brothers and sisters! Check your decoder rings for our next meeting date.

Wednesday, October 18, 2006

Musings from Mr. Solid

By John Lee

I had planned on talking about a number of music DVD’s in this space. That will be one of the things, along with books and recordings, that I will save for the fall and winter Musings.

Recently, I’ve been putting together what I think is a top-notch show that has had my full attention for the last two months. Below is the press release. It appears on the KPLU and the Highway 99 Blues Club web sites. Everyone involved is hoping you can join us for what I think will be one hell of a party!

The West Coast Rhythm & Blues Summit


For two nights, October 27th and 28th, 2006, The Highway 99 Blues Club in Seattle will become the scene of what amounts to a classic Rhythm & Blues revue. It’s a triple bill, starring Johnny Nocturne (John Firmin), who the San Francisco Jazz Festival called “The Big Daddy of retro jump-blues tenor saxophone”. The show also stars Miss Dee, long time vocalist with the legendary Johnny Otis Show. Miss Dee is the vocalist on the Johnny Nocturne Band CD “Blues Volume”. This portion of the show will also highlight Nocturne keyboard man, Henry Salvia.

The R&B Summit also includes The Crossroads Band, the Washington Blues Society’s “Best Band” of 2005. Crossroads is a five piece group of seasoned veterans. The Tacoma Weekly said about the band’s new CD “In case you have never seen them play yet, this record makes you want to change this fact as fast as you can.”

Special guests are The Three J’s Alaska reunion band, consisting of John Firmin (aka Johnny Nocturne), John Stephan (John Stephan Band), and John Lee (The Crossroads Band). Describing the Three J’s self-titled CD, Misty Blue, a Canadian radio show host, said “ Alaska sure can rock the blues!” Henry Salvia who plays on the 3J’s CD, will join the band.

Master of Ceremonies for the show will be Rock and Roll Hall of Fame disc jockey, Jimmy “Early” Byrd. “Early” Byrd is the first African-American disc jockey elected to the Hall. The other DJ’s in the Hall of Fame are Alan Freed, Wolfman Jack, and Dick Clark.

Where: The Highway 99 Blues Club-1414 Alaskan Way , Seattle , WA (206-382-2171)
When: Friday October 27th and Saturday October 28th 2006. Showtime is 8:45 PM.
Cover: $15.00

Links:
http://www.johnnynocturne.com/
http://www.crossroadsblues.net/
http://cdbaby.com/cd/3js
http://www.johnstephanband.com/
http://www.earlybyrd.com/
http://www.highwayninetynine.com/

For additional information call Mr. Solid Productions at 206-517-7864.

When you see a musician on stage having fun, remember all the hours and hard work it took to get to that place. Also take into account the true nature of the beast. I think the late, great Hunter S. Thompson summed it up best: “The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There’s also a negative side.” Amen, Brother Thompson!

Last time in this space I made a serious omission: Ray Charles’ birthday. “Brother” Ray was born September 23, 1930. Ray passed away June 10, 2004.

Peace! Check you on the rebound.

October Blues Birthdays

Keb Mo - October 3, 1951
Albert Collins - October 1, 1932 (died 1993)
Stevie Ray Vaughn - October 3, 1954 (died 1990)
Lonnie Pitchford - October 8, 1955 (died 1998)
“Ivory” Joe Hunter - October 10, 1914 (died 1974)
“Jelly Roll “Morton - October 20, 1890 (died 1941)
Sonny Terry - October 24, 1911 (died 1986)

Electric bassist John "Mr. Solid" Lee was born in Alaska and has been active in the Seattle blues scene for about 30 years. He currently plays with the Crossroads Band. Photo by Mike Coyote.

Note: The poster that appears in this article was created by Phil Chesnut.

Tuesday, October 17, 2006

Down to the nightclub...

You know, the Great Northwest has a sort of embarassment of riches when it comes to blues harp players. Sheesh, Portland alone is the home of Paul deLay, Curtis Salgado, Bill Rhodes, Johnnie Ward, Mike Moothart, and LynnAnn Hyde.

We've got some good 'uns in Seattle too, including Steve Bailey, Kim Field, Mike Wylde, Brian Lee, Bubba McCoy, Jim King, Dave Prez, Paul Green, Jeff Herzog and John Deely (forgive me if I've forgotten anyone). Speaking of Dave Prez and Paul Green, I had a chance to see these blues harp maestros playing live recently - check this out:

I caught up with Dave Prez (left, with guitarist Eric Daw) and the Combo Nation at the Salmon Bay Eagles Club. Besides Eric, the other members of the Combo Nation that night included drummer (and sometime vocalist) "Sweet" Billy Spaulding, and multi-instrumentalist/singer/songwriter Jeff Simmons on electric bass and keyboards.

Dave is one of my favorite harp players. He is very good at applying the tongue-blocking technique, which produces his big, fat tone. I guess you could say that Dave is sort of Seattle's Little Walter specialist - you ought to hear his version of Walter's "Fast Boogie." I'm here to tell you he smokes on that tune! However, he was a little hard to hear clearly this night except right in front of the bandstand, probably because he wasn't micing the small Gibson amp that he was blowing through.

The band was playing straight ahead blues tunes, with the always excellent Eric Daw doing most of the singing while I was there. Unfortunately, I had to leave just as Mr. Simmons was preparing to do a set from behind the keyboards - I hear the band had a ball until closing time.

I saw Paul Green & Straight Shot (below) a couple of weeks later, also at the Eagles Club. The members of Straight Shot include drummer Les Merrihew, bassist Howard Hooper, and guitar/slide guitarist Mark Riley.

Left to right: Les Merrihew, Paul Green, Howard Hooper, and Mark Riley.

Paul has a harp style unlike anyone else in town. He is a very capable player, and blows very fast accurate runs over all three octaves of the diatonic harp. He is also a terrific singer, and ventures into the "Soul Blues" territory often during his show. Mark Riley also contributes vocals during the show, and can usually be seen playing his own handbuilt, custom guitars.

On the night I saw the band, Paul was sick with some sort of chest fever and was having a very difficult time singing. I got up and sang a few tunes with the band to help out. The band sounded great, as usual. I hear that some other singers showed up later to help out with the vocal chores also, so I guess that Paul made it to the end of the gig.

Man, I've gotta get out more often - Live music is best, folks!