Raven's 7th Annual Jam For Cans

By Phil Chesnut

Last Thursday, Puget Sound's vast list of blues talent again showed their generosity by donating their time and talents to the legendary local blues benefit, Jam For Cans, helping to make it another huge success. Featuring over 30 of the area's top note benders playing to a standing room only crowd, this annual blues marathon demonstrated once more why this event annually wins the WBS Best Event BB Award.

Supported by a blues savvy multitude of fans and their contagious spirit of giving, this year's Jam For Cans certainly surpassed all expectations. Thanks to the hard work of Sheri and Raven Humphres, who annually invest a great deal of time, energy and their own money to ensure a first class show. Naturally Raven's chores for JFC are on the musical end, however the daunting task of promotion and sponsorship is all carried on Sheri's shoulders. A true PR ace, who's promotion skills are easily equal to Raven's sax talent, Sheri's chores begin about 8 months before the next jam. The perfect Yin to the perfect Yang. Thanks to Sheri and Raven, this benefit of the blues has long reached a level that few others will ever approach, because this rare, invitational jam not only celebrates the spirit of the music but the spirit of giving as well and that through our beloved music, we have the opportunity to truly help those that are less fortunate.

Of course an event of this magnitude deserves an equally top-notch host/venue, with Seattle's favorite juke joint, the Highway 99 Blues Club being the perfect fit. The Highway 99's bosses, Ed and Steve have not only been more than eager to help support this worthy cause, they've gone out of their way to accommodate not only the giant list of musicians, but the uncommonly large and thirsty crowd as well. Thanks in large part to the outstanding staff at the Highway 99, every thing seemed to be running smoothly.

Also running smoothly was Raven's stage. Legendary for running the hardest, one day, mainstage of the year, Raven masterfully assembles a half dozen sets and always finding the best players to compliment each other in his notoriously horn fat, instant ensembles. Quickly segueing between various sets and making sure that everyone gets to bust a lick, unlike his incompetent artist, Raven leaves no one out.

Filling all of the other gaps and needs of a major event like this is our own venerable, Washington Blues Society and their fantastic volunteers. A great addition as partner or sponsor for any blues based program, the WBS has long showed it's value and experience at any blues event.

The blues was born a century ago, through a dedication for the music and with a spirit of faith, hope and charity. It's nice to see that this spirit and dedication is still alive and that this essence of the blues, via Jam For Cans, has once more come full circle.

Patty Allen and Raven

Annieville

Paul Green

Tim Sherman and Mark Dufresne

Kenny "Blues Boss" Wayne

Tim Sherman, Nick Vigarino, and NW Harvest rep

Note: All photos in this article were created by Phil Chesnut.

In the Pocket with Mr. Solid

By John Lee

The Top Ten Record Labels of Blues, R&B, and Soul

I have many times thought about which American record labels have had the greatest influence on the Blues, Rhythm and Blues and Soul music of the post World War Two era. I’m going to lay on you my opinion of which labels are the most important, along with some of the dynamic and important artists each one brought to the party!

1. Chess Records - This Chicago label is possibly the most important of them all. Two artists that made their greatest sides for Chess, and helped influence American music to a very large degree are Muddy Waters and Chuck Berry. Chess was also home to many of the finest blues and R&B recording artists of the 1950’s and 1960’s. Etta James, Howlin’ Wolf, Little Walter Jacobs, Sonny Boy Williamson (Rice Miller), and Bo Diddley all made their finest recordings for Chess Records. Buddy Guy, Elmore James, John Lee Hooker, and many others made excellent records for Chess. For a great overview of the blues and rhythm and blues sides check out the "Chess Blues" and the "Chess Rhythm and Roll" box sets. They both are a stone groove!

2. Atlantic Records in New York City launched into stardom two of the greatest artists of R&B and Soul, Aretha Franklin and Ray Charles. They also had a roster of music giants like Ruth Brown, Wilson Pickett, The Drifters, The Coasters, Ben E. King, The Clovers, Joe Tex and Solomon Burke to name just some of the greats in the east coast labels stable. Check out the "Atlantic Rhythm and Blues 1947-1974" box set. There are eight CD’s, and 203 selections in all. It’s a weekend dance party for sure!

3. Stax Records in Memphis , Tennessee is celebrating 50 years in 2007. With a roster that includes Otis Redding, The Staple Singers, Eddie Floyd, William Bell, Rufus Thomas, Carla Thomas, Booker T. and the MG’s, Sam and Dave, Albert King and the superstar Issac Hayes. This southern soul label helped change pop music for the best. With a great group of in house studio musicians, Booker T. and the MG’s ( Booker T. Jones, Steve Cropper, Donald “Duck” Dunn and Al Jackson), along with the Memphis Horns and great songwriters like David Porter, Issac Hayes, and William Bell, Stax produced some of the finest music America had to offer in the 1960’s and 1970’s. Check out the Stax box sets or the two CD 50th anniversary set. You will dig them for sure. Stax has resurrected the label with the great Issac Hayes as the first artist on the “new school” version of Stax.

4. Motown Records brought black soul music deep into the American mainstream and made superstars out of Diana Ross and The Supremes, Smokey Robinson, The Temptations, The Four Tops, Stevie Wonder, The Jackson 5, and Marvin Gaye to name some of the biggest stars. John Lennon of The Beatles called Smokey Robinson America’s greatest poet. This Detroit record company changed pop music in the U.S. for sure. Check out "Hitsville USA -The Motown Singles Collection 1959-1971" box set for 104 of Motown’s greatest sides!

5. King Records, located in Cincinnati , Ohio . One name tells of this record company’s importance: James Brown! Besides the Godfather of Soul, King had Roy Brown, Hank Ballard and the Midnighters, Little Willie John, Wynonie Harris, and Freddie King to name a few. This label started out in the late 1940’s as a country label, but soon became a top flight purveyor of hard edged R&B. Do your self a favor and pick-up "The King R&B Box Set." It’s a mighty good time. I know you’ll dig it!

6. Specialty Records based in Los Angeles . This great R&B label produced Little Richard's best recordings that were made in New Orleans , with some of the finest musicians of the 1950’s (like drummer Earl Palmer). The record company also made top-notch recordings with Larry Williams, whose songs "Slow Down," "Bad Boy," and "Dizzy Miss Lizzy" were covered by the Beatles. Specialty’s roster also included dynamic recordings by Jimmy Liggins, Joe Liggins, Roy Milton, Don and Dewey, and the master blues lyricist, Percy Mayfield, to name a few. Sam Cooke did his first recordings on Specialty with the gospel group, The Soul Stirrers. Lou Rawls was also featured on the label with the Chosen Gospel Singers. Before the Meters and the Neville Brothers, Art Neville did some fine tunes for Specialty. Check out the five disk boxed set, "The Specialty Story." It is a must for the honkin’ R&B fan.

7. Sun Records out of Memphis, Tennessee. Before Elvis, Johnny Cash, Carl Perkins, and Jerry Lee Lewis, owner Sam Phillips recorded the likes of B.B. King, Howlin’ Wolf, Little Milton, James Cotton, Junior Parker, Rufus Thomas, and Ike Turner. Many of these artists were recorded at Sun Studios, but the recordings were leased to other labels. "Rocket 88" by Jackie Brenston and the His Delta Cats (essentially Ike Turner’s group) was turned over to Chess records. Many consider Rocket 88 to be the first Rock and Roll song. After many of the Sun Studio recordings became solid sellers for other labels, Sam Phillips began to press records on his own Sun Records label, sold Elvis’s contract, and then he pushed along the career of Jerry Lee Lewis. The Sun Studio is still active today, with the likes of Bonnie Raitt, Ringo Starr and the Stray Cats recording tunes there recently. Check out the three disc box set of classic Sun studio material titled "The Sun Records Collection."

8. Hi Records, in Memphis again! Producer Willie Mitchell brought the world great soul and rhythm and blues recordings from the likes of Al Green, Ann Peebles, Syl Johnson and Otis Clay. Al Green had hit after hit for the label. Hi began with Bill Black’s Combo and saxman Ace Cannon instrumentals. Hi Records then moved into the realm of deep R&B and Soul. Very similar in its structure as its Memphis brother, Stax, with a great studio nucleus comprised of Teenie Hodges on guitar, brother Charles on organ, and brother bassist LeRoy and drummer Howard Grimes simply called Hi Rhythm. This stuff is sweet soul music at its best! Check out the three disc set Hi Times, "The Hi Records R&B Years." This set is a great overview of the Hi Records story.

9. Vee Jay Records in Chicago. Jimmy Reed had numerous hits on Vee Jay. John Lee Hooker recorded some very influential sides here. The Spaniels, Jerry Butler, early Gladys Knight and the Pips, Gene Chandler, and Elmore James are just some of the great R&B artists that graced this Midwest label. Check out the three disc boxed set, "Vee Jay 40 Years of Classis Hits 1953- 1993!"

Jimmy Reed

10. Swing Time Records, based in Los Angeles is the dark horse on my list. This fine, but short-lived label was the first record home for Ray Charles in 1950. Lowell Fulson, Jimmy Witherspoon, Big Joe Turner, Charles Brown, and others made great sides for Swing Time. Check out the two disc boxed set, "The Swing Time Records Story: R&B, Blues & Gospel 1946-1952. "

There were other important record labels that helped spread the R&B gospel, like Mercury and Okeh to name two. The order I listed the record companies is in no way meant to make one labels significance more important than another. This list is most definitely one person’s opinion and should not to be etched in stone, but blues, R&B, and soul are all meat from the same bone!

At a later date I’ll talk about early blues music and the labels that were the most important and influential. Until then, keep the faith and always stay on the good foot!

"Dreams to Remember- The Legacy Of Otis Redding" DVD

John Firman (aka Johnny Nocturne) sent me a very cool DVD about the life and music of the late, great Otis Redding. John Firman, my cohort in the group The 3J’s, sent this nice film along to me because he knows how much I dig Otis Redding! Interspersed with interviews and performance film clips, the DVD gives a great insight into what made up Otis Redding the artist and Otis Redding, the man.

The film has extensive interviews with Otis’ wife, Zelma Redding (who also produced the DVD), Stax records founder Jim Stewart, daughter Korla Redding Andrews, Memphis Horns trumpet player Wayne Jackson, and long time collaborator and guitarist Steve Cropper. These interviews really convey Otis Redding’s great humanity, drive, energy, and artistry. There are forty minutes of interviews in all. A few interviews with Otis himself are also included, one being conducted by Dick Clark on American Bandstand.

The DVD also includes sixteen performances throughout Europe and America . Some of the performance clips are on television shows like Where the Action Is, Hollywood A Go-Go, and The Beat. These clips use lip-synch, and Otis doesn’t appear to be very comfortable with this TV approach. The live clips in Europe and at the Monterey Pop Festival with The Stax/Volt Review show him with microphone in hand and at his soulful best.

It has been forty years since Otis Redding’s death in an airplane crash at the young age of 26. He was just reaching his creative peak when he was taken from us. I am sure he would have gotten better had he been given “Just One More Day.” I know you will dig "Dreams to Remember- The Legacy of Otis Redding."

Quote of the Month

R&B stands for Rhythm and Blues. When John Firmin (Johnny Nocturne), saxophonist and leader of The Johnny Nocturne Band, and also a member of The David Bromberg Band and the 3J’s refers to the category known as modern R&B, he says “ I understand the rhythm part, but were in the hell is the blues?” Amen brother!

Electric bassist John "Mr. Solid" Lee was born in Alaska and has been active in the Seattle blues scene for about 30 years. He currently plays with the Crossroads Band. Photo by Mike Coyote.

This just in...

Another Seattle jam session bites the dust. This just in from guitarist John Stephan:

"The John Stephan Band will no longer host the Monday jam at The Mainstage. Many thanks to all the fine musicians and audience who've attended this event since June 2007."

Mark Whitman benefit at the Highway 99 Blues Club

A benefit for long-time Seattle R & B guitarist and singer Mark Whitman will be held at the Highway 99 Blues Club on Sunday, October 7th. Showtime is 6:00 PM and the suggested donation is $5.00 at the door. A raffle will also be conducted throughout the night.

The benefit will help to defray the costs of Mark's recent hospitalization and ongoing physical therapy sessions.

This show will be hosted by Justin Kausal-Hayes, who also hosts the Blue Monday jam session at the Highway 99. The show format will be an invitation-only jam session, and the house band will consist of Chris Leighton, Lisa Ramaglia, Scotty Harris, Rolf larson, and Jeremy Kidder. A partial list of guest artists includes: Rod Cook, Paul Green, Eric "Two Scoops" Moore, Alice Stuart, Lee Oskar, Tim Turner, Hank Yanda, Doug McGrew, Kimball Conant, Scott Lind, Roger Enders, Bill Blackstone, Billy Shew, Sammy Eubanks, Eric Daw, and John Keski.

This show should be a good 'un! Drop in at the club and contribute to a worthy cause!

Mark Whitman - photo by Phil Chesnut

The Seattle Rhythm & Blues Festival

By John Lee

On October 5th and 6th 2007, the Mainstage Comedy and Music Club (formerly Chicago’s), located in the heart of Seattle’s Queen Anne neighborhood, brings together a showcase of Seattle talent rarely seen in this day and age. Phyllis Talley, Josephine Howell, Paul Richardson, The Red Hotz (aka The Red Hot Blues Sisters), The John Stephan Band, and The Crossroads Band, adds up to soulful and funky good time with something for everyone.

Friday October 5th features Josephine Howell, Paul Richardson, and vocalist Phyllis Talley. Josephine Howell is a renowned actress who was recently featured in Intiman Theater’s productions of “To Kill a Mocking Bird” and “Black Nativity.” She is also a singer of the highest caliber. Josephine is unrivaled in the gospel and jazz styles. This lady can really chirp. Paul Richardson has been a mainstay in Seattle soul music for many years. Mr. Richardson is one of the finest keyboard players anywhere, and always astounds with his consummate musicianship.

Saturday October 6th features The Red Hotz, 2006 nominee of the Washington Blues Society for Best Band. Fronted by the powerful and soulful vocals of Suze Sims and the razor sharp guitar of Teri Ann Wilson, the Red Hotz are always a crowd pleaser and keep the audience rockin’ at every stop along the way. They are a groove, no doubt. John Stephan is an excellent guitar player and a great songwriter, who spent many years with the legendary Issac Scott’s band. John and his group of journeyman pros give it their all at every performance.

The Red Hotz

John Stephan Band

The Crossroads Band

Closing out The Seattle Rhythm and Blues Festival will be The Crossroads Band, winners of the BB Award for Best Band from The Washington Blues Society in 2005. Nationally renowned artist, photographer, and writer Phil Chesnut sums up Crossroads up very well, “The members of this veteran five piece band all carry long pedigrees from other top Seattle bands of the past, finally culminating into this superb blues ensemble.”

A portion of the proceeds will go to Tipitina’s Foundation to assist New Orleans musicians cope with life after Hurricane Katrina. The proceeds will be given to Tipitina’s Music Office Co-op to help create business development and job skills training.

Come on down to the Mainstage October 5th and 6th for some great music, tasty food, top-notch libations, and to benefit a worthy cause. It will be a funky good time for sure!

When: Friday and Saturday, October 5th and 6th 8:30pm
Where: The Mainstage Comedy and Music Club
315 1st Ave North
Seattle , Wa . 98109
Phone: 206-217-3700
Cover: $12.00 each night or $20.00 both nights

KT's Tube Amp Repair

Got an old tube guitar amp in the closet (garage/attic/basement) that quit working a few years ago? How about that favorite amp that is sounding kind of lifeless these days?

Well friends, our old friend (and great blues drummer) Kirk "KT" Tutttle can help! KT started his amp repair business about a year ago, and has brought many tube amps back to life since then. Some of the amps I've seen in his shop included a vintage Ampeg B-12, a tweed Fender Tremolux (sweet!), a brown Fender Concert (double sweet!!), and my old '62 Fender Princeton.

If you've got an amp that needs some work, contact KT at 206-478-0983, or via e-mail at ktskicks@yahoo.com. His shop is located in Seattle's north end just off of Aurora. Tell 'em the Playboy sent ya!

The Mad Scientist at his secret laboratory somewhere in north Seattle.

The Titans of Tone begin work on a new live recording.

Kim Field & the mighty Titans of Tone began work on a live CD project at the Highway 99 Blues Club in Seattle on August 30th. The club's dressing room was crammed with recording equipment for the event, and there was a good turnout of fans that made a lot of noise in support of the band between songs.

Recording equipment in the dressing room.

Kim Field & the Mighty Titans of Tone. Left to right: Steve Yonck, Billy Spaulding, Kim Field, Brady Millard-Kish, and Eric Daw. Photo by Phil Chesnut.

Billy Spaulding and Les "Wild Child" White. Les is the bassist for Becki Sue & Her Big Rockin' Daddies!

Kevin Walsh, Steve Yonck, and Dana Pellegrini

Rumor has it that the band will record again at the Highway 99 on Thursday, September 27th. Mosey on down to the nightclub that night and add your voice to the CD, and I'll see you there!

Blog this!

By David Brewer

Well I'm back from Japan and it was great!! I had the best time, and now I'm on my way to Germany, Poland, etc..

I was just reading John Lee's latest blog. I was touring with Albert Collins at the time of the show he mentions. We were on our way to play the Commodore Ballroom in Vancouver, B.C., and we were added on to the bill. It was so cool to meet Howlin Wolf...Coco Montoya was Albert's drummer at the time, and my ex-brother-in-law "Boom" (now with Pearl Jam) was on B-3 (plus me on guitar, of course). I'd love to get my hands on a copy of that poster, John.

Anyway, I'm on my way again soon and I should be back home sometime in October. Then I'm off to Nashville to back up my daughter Rachel. I may stop over in North Carolina and see Roberta Penn.

By the way, my friend Darin Wade's father was murdered up on Crown Hill, on 90th and 14th. I just heard about it on the news the day I got back. They're trying to find out who did it, so if anybody knows anything, call Crime Stoppers.

And oblige..Brewer...

In the Pocket with Mr. Solid

By John Lee

Going way back with Gary Sloan

I’ve known Gary Sloan since I was in high school in Anchorage, Alaska. In 1965 he fronted a rock and roll band called The Outlaws and I was either in The Breakers, a surf and rock and roll band, or groups The Better Sex or The Who Nose. I hadn’t become a bass player yet. I played rhythm guitar, tambourine, maracas and sang back-up vocals.

Late in 1965, Gary and I, along with Pete Nolfi on electric bass, Dean Forbes on lead guitar, and Mike Caporale on drums, started what would become Alaska’s first blues band, Proof. After high school graduation in 1967, I left Alaska and went to California where I pretended to go to college. It turned into a year of street education in San Francisco’s Bay area seeing The Paul Butterfield Blues Band, Charlie Musselwhite, James Cotton’s great band with Luther Tucker on guitar, The Electric Flag with Mike Bloomfield and many of other groups like Cream, the Jimi Hendrix Experience, and Big Brother and the Holding Co. with Janis Joplin. Hey, I would hang around The Fillmore smoking cigarettes with Luther Tucker and Butterfield’s guitar player, Elvin Bishop and talking the blues. I once got drunk with Janis Joplin on Southern Comfort. I also met George Harrison one afternoon on Haight Street. This was the summer of 1967 to late spring 1968. The scene was being overrun with crystal-meth and the battles between the cops and the Black Panthers made the Bay area something of a war zone, so I went back to Anchorage.

I hooked back up with Gary Sloan on harp and vocals, Roger Crosta on drums, and a guitar phenom named Rufus Reid. We called ourselves Proof again. I was playing bass full time now. We got a house gig at a place called The Electric Eye. The Eye was a hang out for hippies and bikers. The bikers were real scooter trash, not the weekend Harley crowd that seems so common today. They called themselves the Brother’s Motorcycle Club. I was given an honorary membership. The Brother’s later became the Hell’s Angels. This was a wild scene and a summary of what I lived thru at that time could fill a book, but that’s for another time.

We had become a bonafide blues band. This gig lasted about a year, then Gary and I parted ways when I went to upstate New York with Lindy and Larry Raines in the fall of 1969. I went back to Alaska in 1970 and did a stint playing folk-rock with Gary, Lindy Raines, Steve Tyler and Gordy Canyon. In 1973 Gary brought John Lee Hooker and Charlie Musselwhite to Alaska and we toured and I got to play bass on both tours. He brought Hooker back in 1975, we toured Alaska again. Later that summer I split for Seattle. I came back to Alaska in the summer of 1981 and played Anchorage, Fairbanks, and a few other spots I don’t recall. We also recorded the Southside Blues album. Those were the last gigs we played together until July 2007.

Gary is living in Arkansas now. Every summer he gigs all around Alaska with assorted friends including Lindy and Larry Raines. He took a week break from the northern exposure and came to play a few gigs in the Seattle area about mid-July 2007. My buddy in the 3J’s, John Stephan, hooked Sloan up with gigs at The Central Club in Kirkland, Washington and at Seattle’s Salmon Bay Eagles. Sloan was more than adequately supported by John Stephan on guitar (John Stephan played with a band called The Blue Chip Stock on the Anchorage scene when Gary and I had the first version of Proof) and his band’s rhythm section of Trev Cutler’s solid drumming and Tom Roesch’s funky and “in the pocket” bass work. Tom is one of my favorite bass players on any scene!

Then for two nights, the Crossroads Band rhythm section of John Rockwell on drums and yours truly joined Gary Sloan (left) and John Stephan for a Friday night show at Pioneer Square’s New Orleans and the next night for a private party in Seattle. Gary is a fine showman, good vocalist, and blues harp man. He also writes some cool songs. A number of his tunes are damn funny, like "Main Squeeze," "Screamin’Skull" (one of Gary’s nicknames when we were coming up) and the tongue in cheek, "Shirt," with the back-up shout “His ex hates that shirt”. Gary has a double CD, "Blues/The Twilight Sloan" out now and has also re-released the "Southside Blues" album to CD. Yours truly plays on 11 tracks on this recording from 1981. I had a great time playing with Gary again, and he has the private party booked again next year. We will be adding some club dates for mid-July 2008. Stay tuned! It will be a natural ball. The summer of 2008 isn’t that far away!

The Seattle Blues Review-August 31, 1975

I had come to Seattle to scout a place to live and check out the local scene. The end of August 1975 I witnessed a great blues show at Sick’s Stadium in Seattle’s Rainer Valley neighborhood. The line-up was a blues fan’s dream: Howlin’ Wolf, John Lee Hooker, Aces, Straights and Shuffles with Kim Wilson (before The Fabulous Thunderbirds), Margie Evans, sometimes singer with The Johnny Otis Show, and the great Albert Collins as an added attraction.

I had toured Alaska that summer with John Lee Hooker, but I had never seen Howlin’Wolf, Albert Collins, or Margie Evans. Kim Wilson was just starting out, and the Fabulous Thunderbirds were a few years away.

Howlin’ Wolf was not well and as I found out much later, he was on kidney dialysis. The Wolf was still a very large presence and despite his failing health we all knew we were in the company of greatness! John Lee Hooker was his usual tough self. Albert Collins was unbelievable, strutting the stage like a man possessed. He was one of the most badass guitar men of all time. Kim Wilson showed why he would become a rising star in the blues revival. Margie Evans had a real sweet set of pipes and cooked up a nice set of jump and slow blues tunes.

At some point I somehow worked my way back stage and John Lee Hooker saw and greeted me. He knew I had never met the Wolf and he took me to where the man born Chester Burnett was sitting. When the introduction was done, Howlin’ Wolf said, “Any friend of the Hook, is a friend of mine.” What a moment! Where was a camera when I needed one!

The Wolf would only play one more big show in Chicago, November 1975. Howlin’ Wolf would pass on January 8th, 1976. Albert Collins passed away in 1993, and John Lee Hooker boogied on until 2001. Margie Evans is still living, but I have no idea if she’s still performing. Kim Wilson is still fronting The T-Birds and doing solo projects. He is still spreading the blues gospel around the world.

I feel blessed to have been at Sicks Stadium on that overcast August Seattle day in 1975. The Wolf, the Hook and Albert Collins were all legendary blues artists, and to see them together was a total thrill. These great musicians will never be forgotten. Play on brothers!

Peg Jackson-August 8, 1946 to July 23, 2007

My dear friend, Peg Jackson, passed away July 23, 2007. Peg and I became friends when I worked at The Café on the Terrace in Mountlake, Washington. Peg was a regular at the café. She and I would talk about everything under the sun. Music, films, books, and politics were among some of the many things we would discuss. Peg was very sharp and had a splendid personality. She was a tireless worker for Tour De Terrace, Mountlake Terrace’s Seafair related festival that takes place at the end of July every year. She made it possible for me to perform music at the festival one year, and I have played there a number of years since. She was a marvelous person and I will miss her. R.I.P Peg.

Quote of the Month:

Dewey Phillips was a wild, hip talkin’ white disc jockey in Memphis, Tennesse, who, in 1949 on his “Red, Hot, and Blue” radio show played black Rhythm and Blues to a white audience for the first time. He also was the first DJ to play Elvis Presley’s debut 45 recording of "That’s All Right Mama/Blue Moon of Kentucky" in 1954.

Mr. Phillips always had a cool saying or phrase for the radio listener. One of my favorites was: “Hey Mabel, get up off the turntable, your too old to be going around with musicians.”

Electric bassist John "Mr. Solid" Lee was born in Alaska and has been active in the Seattle blues scene for about 30 years. He currently plays with the Crossroads Band. Photo by Mike Coyote.

Happy Birthday Two Scoops!

Eric "Two Scoops" Moore celebrated his birthday last Friday night at the Corner Inn in West Seattle, where he was playing with Jeff & the Jet City Flyers over the weekend. A lot of well-wishers were on hand for the party, including Scoops' wife Amy and guitarist John Stephan.

Check out the birthday cake below, purchased at a local "erotic" bakery. I believe that Eric is all of 49 years-old now - in other words, just a pup. Here's to many more, Two Scoops!

Two Scoops and cake

Jeff & the Jet City Flyers. Left to right: Eric "Two Scoops" Moore, Jeff Herzog, Bill Lovey. Patty Mey, and Kirk Tuttle.

Patty Mey and Kirk Tuttle